Helmed by Portishead co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David kills his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in British and Irish theaters from November 17.
